About collecting by Marco Meneguzzo
Extract from the critical text Sul collezionare by Marco Meneguzzo written for the exhibition Qui e Ora. Due collezioni nello spirito del tempo.
Extract from the critical text Sul collezionare by Marco Meneguzzo written for the exhibition Qui e Ora. Due collezioni nello spirito del tempo.
The following article is based on the text by Sileno Salvagnini Bruno De Toffoli and Venetian Art Criticism in the Postwar Period, which aims to retrace the historical and artistic…
The Barbara Cappochin Foundation has always been committed to highlighting the close connection between quality of life and quality of architecture, a relationship that might seem unusual or even illogical…
Esther Stocker’s research, since its beginnings, has employed an element that has distinguished artistic production since the mid-1920s: the grid. For Rosalind Krauss, it is an essential ingredient of the…
Dedicated to Umbro Apollonio, one of the most prestigious figures in the field of contemporary art criticism, university professor, and director of the Venice Biennale Archive from 1949 to 1968,…
I feel a deep curiosity about the mechanism of perception and how this complex interaction between the senses, the brain, and cognitive experiences plays an essential role in shaping our…
The preparatory studies for the large installation Resistance and Liberation, displayed in the New Courtyard of the Bo, are being presented to the public for the first time today at…
The first exhibition narrated by Riccardo Caldura, curator of the exhibition and director of the Venice Academy of Fine Arts.
What can we define as art today, and what is its purpose? How do technology and science fit into the contemporary art scene? Over time, art has always played a…
The project, initiated by the University of Padua in collaboration with the Alberto Peruzzo Foundation which produced a commemorative booklet on the occasion of the restoration of the statue of…